In musical terms, this concept encompasses the conscious imitation of non-Western art music and the employment of rudimentary elements in a composer’s work. This often involves the use of insistent rhythms, percussive instrumentation, and a general focus on the raw power of sound. Examples include the incorporation of folk melodies, scales, or rhythmic patterns from non-European cultures, and the deliberate simplification of harmonic and melodic structures.
The significance of this approach lies in its challenge to established Western musical traditions and its exploration of alternative modes of expression. It represents a desire to break free from the complexities and perceived artificiality of late Romanticism and Impressionism. Historically, it served as a vehicle for composers to explore new sound worlds and to evoke a sense of primal energy and authenticity, contributing to the broadening of the musical landscape during the early 20th century.